Yamaha MOTIF-RACK ES Bedienungshandbuch PDF herunterladen (Seite 88)

Voice Mode

MOTIF-RACK XS Owner’s Manual

Basic Structure

Reference

Voice

Multi Utility

The Controls &

Connectors

Setting Up

Listening to

the Sound

Connections

Using a Computer

Quick Guide

Appendix

Setting examples of the Destination

In this section, we’ll show you some useful examples how to set the “Ctrl Set 1 – 6 Dest (Controller Set Destination)” assignments

of the Control display in the Voice Common Edit parameters (page 71).

Concerning *1 – *4, the following settings are necessary in addition to the above setting.

• Select the “LFO” in the Voice Edit Select display

➝

[ENTER]

➝

“Play Mode” = “loop”

• Select the “LFO” in the Voice Edit Select display

➝

[ENTER]

➝

“LFO Set 1 – 3 Dest” = “P mod”

Controller Set in the Voice Common Edit on the MOTIF-RACK XS Editor

➝

“SW (Element Switch)” = “on”

• Select the “Effect” in the Voice Common Select display

➝

[ENTER]

➝

select the “Ins A/B”

➝

[ENTER]

➝

“Type” = “Rotary Speaker”

• Effect in the Voice Common Edit on the MOTIF-RACK XS Editor

➝

“Element Out” / “Key Out” = ins A/B (assigned to “Rotary Speaker” type)

• Select the “Effect” in the Voice Common Select display

➝

[ENTER]

➝

select the “Ins A/B”

➝

[ENTER]

➝

“Type” = “VCM Pedal Wah”

• Effect in the Voice Common Edit on the MOTIF-RACK XS Editor

➝

“Element Out” / “Key Out” = ins A/B (assigned to “VCM Pedal Wah”)

Filter Type List

In the sections that follow, we'll explain the Filter Type

speciﬁed in the Filter Type display of the Voice Element Edit.

LPF (Low Pass Filter)

This is a Filter type that only passes signals below the Cutoff

Frequency. The sound can be brightened by raising the

cutoff frequency of the ﬁlter. On the other hand, the sound

can be darkened by lowering the cutoff frequency of the

ﬁlter. You can then use Resonance to add further character

to the sound. This ﬁlter type is most popular and useful for

producing classic synthesizer sounds.

LPF24D

Compared to the LPF24A type (below), this ﬁlter can

produce a more pronounced resonance effect.

LPF24A

A digital dynamic low-pass ﬁlter with characteristics similar

to a 4-pole analog synthesizer ﬁlter.

LPF18

3-pole 18 dB/oct low-pass ﬁlter.

LPF18s

3-pole 18 dB/oct low-pass ﬁlter. This ﬁlter has a smoother

cutoff slope than the LPF18 type.

HPF (High Pass Filter)

This is a Filter type that only passes signals above the Cutoff

Frequency. You can then use the Resonance to add further

character to the sound.

HPF24D

A dynamic 24 dB/oct high-pass ﬁlter with a characteristic

digital sound. This ﬁlter can produce a pronounced

resonance effect.

HPF12

12 dB/oct dynamic high-pass ﬁlter.

BPF (Band Pass Filter)

This Filter type is a combination of a LPF and HPF. When this

Filter Type is selected, you can set the Cutoff Frequency

around which the audio signal is passed.

BPF12D

The combination of a -12 dB/oct HPF and LPF with a

characteristic digital sound.

To control the volume: Volume (volume)

To apply vibrato to the Voice: Common LFO Depth1 – 3 (C-LFO dpth1 – 3)

To change the pitch: Element Pitch (coarse tune)

To control the brightness of the Voice: Element Filter Frequency (cutoff)

To change the speed of the Rotary Speaker: Insertion A/B Parameter 1 (ins A/B Rotor Slow)

To apply wah pedal effect to the Voice: Insertion A/B Parameter 1 (ins A/B Pedal Ctrl)

Level

These frequencies are

“passed” by the ﬁlter.

Resonance

Cutoff Frequency

Frequency

Cutoff range

Level

These frequencies are

“passed” by the ﬁlter.

Resonance

Cutoff Frequency

Frequency

Cutoff range

Level

Resonance

Frequency

Cutoff range

Range passed

1 2 ... 83 84 85 86 87 88 89 90 91 92 93 ... 117 118

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