Yamaha AN200 Spezifikationen

Panel Controls10These are the fundamental controls of the AN200 — for changing modes, adjusting values, exiting from func-tions, and so on.Display and

Chapter 18 Master Class 1 — Onstage10083 Loopfactory samplingHere’s a nifty little variation on Tip 81 above. First, hook up the outputs of the AN20

101Chapter 18 Master Class 1 — Onstage84 Full DJ system — turntable and all!Bring the Loopfactory into your DJ setup — for the best of the analog and

Chapter 18 Master Class 1 — Onstage102In this system, all the MIDI devices are connected in “daisy-chain” fashion. This setup trick can help when yo

103Chapter 19Master Class 2 — Advanced Music ProductionTake your skills up to the next level. Explore these advanced operations and appli-cations — a

Chapter 19 Master Class 2 — Advanced Music Production10487 Recording to a sequencerAs a “desktop” synthesizer, the AN200 is absolutely perfect for co

105Chapter 19 Master Class 2 — Advanced Music Production88 Recording AN200 knob moves to a sequencer Have you got an external sequencer or computer?

Chapter 19 Master Class 2 — Advanced Music Production10689 Editing the AN200 from a computer If you’ve worked through most or all of the Tips in this

107Chapter 19 Master Class 2 — Advanced Music Production90 MIDI sequencer controls — Start, Continue, StopThis function gives you detailed control ov

Chapter 19 Master Class 2 — Advanced Music Production10891 Saving Patterns and Songs to a MIDI data filerAnother fantastic thing about MIDI is all the

109Chapter 19 Master Class 2 — Advanced Music Production92 Loading back your saved Patterns and SongsOnce you’ve saved your valuable data, you can br

Quick Start Guide11Quick Start GuideOnce that you’ve got the AN200 out of the box and checked that all included items were indeed included, it’s time

110Function IndexFunction IndexThis index lets you quickly find information on the various functions and parameters of the AN200. All the references h

111Function IndexPattern Select (Song Edit)... Tips 62, 64Pattern Select Assign...

112About the Included CD-ROMAppendixAbout the Included CD-ROM• Acrobat Reader 4.0• XGworks lite• AN200 EditorXGworks lite Plug-in software• PLG150-AN

113About the Included CD-ROMAppendixThe CD-ROM includes two folders: “Internatiotal” and “Japa-nese.”Double-click on the “International” folder to ope

114SpecificationsAppendixAppendixError MessagesSpecifications1.FUNCTIONSTone Generator Analog Physical Modeling (2VCO(Osc.Sync, FM), Noise, RingMod., Fi

Troubleshooting115AppendixTroubleshootingProblem Possible cause/SolutionNo power. Is the adaptor properly plugged into both the AN200 and the AC outle

116Analog Physical Modeling Synthesis and the AN200AppendixAnalog Physical Modeling Synthesis and the AN200At the heart of the AN200’s stunning, dynam

117Analog Physical Modeling Synthesis and the AN200Appendix VCO 1 and VCO 2• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

118MIDI Data FormatAppendixMIDI Data Format1. Channel messages1.1 Note on/note offThese messages convey keyboard performance data.Range of note number

119MIDI Data FormatAppendix1.3 Channel mode messagesThese messages specify the basic operation of a part.1.3.1 All Sound OffThis message silences all

Parameter Structure12Parameter StructureThis diagram shows the structure and hierarchy of the Songs, Patterns and Voices of the AN200. As you work wi

MIDI Data Format120Appendix0vvvvvvv VVH Data : :11110111 F7H End of ExclusiveFor parameters whose Data Size is 2 or 4, the appropriate amount

121MIDI Data FormatAppendix2.2.2.1 AN1x Current Common bulk dumpWhen the Common block bulk data of the voice sounds currenly is received from the AN1

MIDI Data Format122Appendix10 2 27...F0 Common BPM 20(14h) ... 40(28h) ... 240(F0h) ... 300(12Ch) *3 8C(140)12 1 NOT USED --13 1 NOT USED --14 1 NOT U

123MIDI Data FormatAppendix00...7F Free EG Trk4 Data2 LSB 0...127 *2 0 : : :0C 66 2 00...01 Free EG Trk4 Data192 MSB 0...1 *2 100...7F Free EG Trk

MIDI Data Format124Appendix43 1 00... 00 Distortion Switch 0(off),1(on) 1(on)44 1 00...72 Ctrl Matrix Source1 off(0)...Assign Knob8(72) *6,11 0(off)45

125MIDI Data FormatAppendix0B 1 00...7F Sync Pitch -64...+63 40(+0)0C 1 00...7F FM Depth -64...+63 40(+0)0D 1 00...7F Mixer Noise Level 0...127 00E 1

MIDI Data Format126Appendix28 1 00...7F Step Seq Gate Time LSB 3 *1 94%(3C)29 1 00...7F Step Seq Gate Time LSB 4 *1 94%(3C)2A 1 00...7F Step Seq Gate

127MIDI Data FormatAppendix17 1 NOT USED --18 1 NOT USED --19 1 NOT USED --1a 1 NOT USED (AN1x : Var-Ef Type) Gutar Amp.Simulator:fixed 0d (Amp.Sim.)1b

MIDI Data Format128Appendix1 28...58 Pich Down (PB Range -) -24(28)...+24(58) 3E(-2)1 00...7F PEG Decay 0...127 01 00...7F PEG Depth -64...+63 semiton

129MIDI Data FormatAppendix1 00...2E Ctrl Matrix Param 6 off...PEG Attack(2E) *14 0(off)1 00...7F Ctrl Matrix Depth 6 Depends on Ctrl Matrix Param *14

Tone Generator Signal Flow & Effect Block Diagram13Tone Generator Signal Flow & Effect Block DiagramThe EQ processing is accessible only with

MIDI Data Format130Appendix1 NOT USED --1 NOT USED --1 NOT USED --1 NOT USED --1 NOT USED --1 NOT USED --1 NOT USED --1 NOT USED --1 NOT USED --1 NOT

131MIDI Data FormatAppendix<1-10>MIDI Bulk Dump Parameter table ( User Pattern Voice Scene-1 )Address Size Data Prameter Name Description Defaul

MIDI Data Format132Appendix<1-12>AN200 Control Matrix & Free EG Track Parameter List *1. The effect of the controller on the parameter valu

133MIDI Data FormatAppendix<2-1>Rhythm Track Parameter Base AddressMODEL ID = 6D <2-2>MIDI Parameter Change table ( SYSTEM )Address S

MIDI Data Format134Appendix<2-4>Effect Type List<2-4-1>Type MSB Type LSB00 01 02 0300 Delay1(mono) Delay2(stereo) Delay3(cross) Reverb01 F

135MIDI Data FormatAppendix<2-5>MIDI Parameter Change table (User Voice EFFECT)Address Size Data Prameter Name Description Default(H) (H) (H)

MIDI Data Format136Appendix19 1 00...7F Step Seq Velocity 4 rest(0),1...127 100(64)1A 1 00...7F Step Seq Velocity 5 rest(0),1...127 100(64)1B 1 00...7

137MIDI Data FormatAppendix1 00...78 Step Seq Inst 3 Ba1C(0)...DgW7(78) SD101 00...78 Step Seq Inst 4 Ba1C(0)...DgW7(78) SD101 00...78 Step Seq Inst 5

MIDI Data Format138Appendix*1 : MSB bit 2-0 -> bit 9-7 LSB bit 6 -0 -> bit 6-0*2 : This should be transmitted after sending Step Seq Gat

139MIDI Implementation Chart YAMAHA [ DESKTOP CONTROL SYNTHESIZER ] Date:20-DEC-2000Model AN200 MIDI Implementation Chart

14This is NOT an owner’s manual!This is NOT an owner’s manual!At least not an ordinary one. But, then again, the AN200 is no ordinary instrument. It

140Rhythm Track Instrument ListAppendixRhythm Track Instrument ListNote No. Note Voice Name Display Description0 C -2 PulseBass C bA1CFiltered square

Pattern List141AppendixPattern ListPreset Bank 1 (Bank MSB=63, LSB=0, Pgm#1-64)No. Pgm# Pattern Name Group BPMP001 1 Phattytechno138P002 2 Fat 5th 135

Pattern List142AppendixPreset Bank 2 (Bank MSB=63, LSB=1, Pgm#65-128)Song 1 : Demo 1 ( trance/breaks )Song 2 : Demo 2 ( triphop )Song 3 : Demo 3 ( amb

143SOFTWARE LICENSING AGREEMENTThe following is a legal agreement between you, the end user, and Yamaha Corporation (“Yamaha”). The enclosed Yamaha s

144SOFTWARE-LIZENZVEREINBARUNGDie folgende Vereinbarung ist eine rechtsgültige Vereinbarung zwischen Ihnen, dem Endanwender, und der Yamaha Corporatio

145CONTRAT DE LICENCE DE LOGICIELCeci est un contrat entre vous-même, l’utilisateur final, et Yamaha Corporation (“Yamaha”). Le logiciel Yamaha ci-incl

For details of products, please contact your nearest Yamaha or the authorized distributor listed below.Pour plus de détails sur les produits, veuillez

15Chapter 1Pattern BasicsStart your synthesizer apprenticeship right here. In this section, you’ll learn about playing Patterns, and how to use some

Chapter 1 Pattern Basics163 Switching Patterns on the flyTry mixing it up now. The AN200 lets you change Patterns as easily as pressing a button...Th

17Chapter 1 Pattern Basics4 Playing it backwardsThe Reverse function lets you completely turn the Pattern around, and play all the notes backwards.Be

Chapter 1 Pattern Basics186 Messing with the BeatThere’s more than one way to mess with the rhythm. Actually, the AN200 gives you a truckload of way

19Chapter 2Song PlaybackAs we said before, the Patterns are the basic building blocks of the AN200. But what can you build with them? Songs! Our te

2SPECIAL MESSAGE SECTIONThis product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adap

20Chapter 3The KeyboardSmall and compact as it is, the AN200 also features a one-octave keyboard for playing and recording the sounds of the instrumen

21Chapter 3 The Keyboard11 Playing the Rhythm trackThe AN200 also has a special Rhythm track (actually there are three.) that let you play and record

22Chapter 4Scene BasicsScene is one of the most powerful and exciting features of the AN200. It lets you “morph” between two completely different sou

23Chapter 5EffectsThe effects of the AN200 are more than just icing on the cake — they’re pow-erful tools you can use to completely transform the soun

Chapter 5 Effects2416 Playing with the EffectsLet’s take a look at each of the Effects, and try applying them to the sound. Before you begin, set the

25Chapter 5 Effects● Flanger(Flanger 1, 2)This modulation-based Effect produces a “swishing” or “tunneling” sound. Play a Pattern and select Flanger

Chapter 5 Effects2617 DistortionThe last tip introduced you to a distortion effect, the Overdrive/Amp types. Here’s yet another way to dirty up the

27Chapter 6Filter (VCF)The VCF or Filter section is one of the most powerful and dynamic on the entire instrument. Used in the right way, the VCF con

Chapter 6 Filter (VCF)2819 Wild, wild filter sweeps — VCF TypesThe enormous power and versatility of the Filter section continues with the VCF Types.

29Chapter 6 Filter (VCF) VCF TypeDetermines the filter type used for the VCF section. The filter passes only a specified range of frequencies while cu

31. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!This product, when installed as indicated in the instructions contained in this manual, meets FCC requir

Chapter 6 Filter (VCF)3020 FEG DepthTechnically, the FEG Depth controls how the Filter works over time. This is even shown on the panel for you:With

31Chapter 7Nuts and BoltsLet’s take a break from the fun and games for a moment. Check out the fol-lowing functions and familiarize yourself with the

Chapter 7 Nuts and Bolts323 Press the [EXIT] button to return to normal operation. 22 Original ValueIf you tweak and turn the knobs on a Voice for

33Chapter 7 Nuts and Bolts● What’s the difference between Original Value and Show Value?• Show Value — Lets you view the CURRENT settings of the Voic

Chapter 7 Nuts and Bolts34● Do a Factory Reset operation. (See Tip 24.)Use this only if you suspect something is actually wrong with the AN200. (Fo

35Chapter 8Pattern PlaybackWe’re going to pick up where we left off in Chapter 1, and give you some more Pattern Tips. These are simple things you ca

Chapter 8 Pattern Playback3626 Transposing the keyThe Transpose function lets you change the pitch or key of the Pattern as it plays back. With this

37Chapter 8 Pattern Playback27 SwingHere’s an instant way to change the rhythmic feel of a Pattern. Play it straight, or give it some swing.Call up

Chapter 8 Pattern Playback38Notice how buttons [1], [2], [3], and [4] light while you hold down [SHIFT] — this means all four tracks are on. Button

39Chapter 8 Pattern Playback30 Mixer controls — Pan and VolumeTry these bread-and-butter controls out, and change the mix of the Patterns. Pan and V

4PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep these precautions in a safe place for future reference.WARNINGAlways follow the bas

Chapter 8 Pattern Playback4031 Assigning Patterns to the keyboard buttonsRemember in Tip 3 how you selected Patterns on the fly, as they were playing?

41Chapter 9LFO ModulationHere’s another crucial cornerstone in synthesizer sound — the LFO. Although LFO modulation can be used to make the sound war

Chapter 9 LFO Modulation4233 Modulating the FilterNow, let’s apply the LFO to the Filter — and create some interesting wah-wah effects.1 Press [DETAI

43Chapter 9 LFO Modulation 35 Changing the LFO waveThe LFO uses one of 21 different waveforms to modulate the sound. The particular wave you select

Chapter 9 LFO Modulation44 WaveDetermines the LFO waveform.Settings● Sine (SinE), 2, 3, 4, 5● Triangle (trGL), 2, 3, 4, 5SineSine 2Sine 3Sine 4Sine

45Chapter 9 LFO Modulation● Square (Squr), 2, 3● Saw 1 (SAU1), 2, 3, 4● Sample-and-hold 1 (S-H1), 2, 3, 4SquareSquare 2Square 3Saw 1Saw 2Saw 3Saw 4S-

46Chapter 10EG BasicsShape the volume, shape the tone. Use the EG (Envelope Generator) section to control how your sound moves, grows and evolves.36

47Chapter 10 EG Basics5 Next, play with the [DECAY] knob and hear how that affects the sound. Make sure to reset [SUSTAIN] to around 10:00 or 11:00

Chapter 10 EG Basics48• Tweak them togetherWhen you start out tweaking the EG, you may want to set [SELECT] to both FEG and AEG. This eliminates a l

49Chapter 10 EG Basics37 Using EG to control the Filter (FEG)In Tip 36 above, we introduced you to the EG and showed you how it works with volume (Am

5Congratulations and thank you for purchasing the Yamaha AN200 Desktop Control Synthesizer!The AN200 is a combination tone generator and sequencer tha

Chapter 10 EG Basics507 Just for good measure, play around with the [DECAY] knob a bit.As with the other controls, tweak this to various settings as

51Chapter 10 EG Basics39 Going negative — with FEG DepthAs we promised in the last Tip, here’s a sound-creating pointer that takes advantage of the n

52Chapter 11Advanced Sound Shaping ControlsBy this point, you’re well on your way to becoming a master synthesizer pro-grammer. You’ve learned about

53Chapter 11 Advanced Sound Shaping Controls41 Metallic sounds and more — with FM DepthLike the vintage synthesizers of the past, the AN200 is absolu

Chapter 11 Advanced Sound Shaping Controls5442 Balancing the waves — VCO 1 and 2One of the easiest knobs on the AN200 to understand, VCO 1/2 is a sim

55Chapter 11 Advanced Sound Shaping Controls43 Noise LevelHere’s another nifty little knob. This one’s great for throwing some grunge and bite into

Chapter 11 Advanced Sound Shaping Controls56 VCO 2 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •

57Chapter 11 Advanced Sound Shaping Controls45 Fat, phatter and phattest!How phat do you want to get? The Key Assign settings let you switch the AN2

Chapter 11 Advanced Sound Shaping Controls5846 Sync Mode and Sync PitchHere are two more important additions to your arsenal of sound-shaping power t

59Chapter 11 Advanced Sound Shaping Controls47 Creating your own original Scenes — and saving themThe exciting and powerful Scene feature lets you cr

6ContentsContents ... 6How to Use This Manual ... 8Panel Contr

60Chapter 12Free EGHere’s another ultra-cool power tool for the control freak in you. The AN200 is packed with an endless supply of sonic mayhem and

61Chapter 12 Free EG3 Start the Pattern, and make your moves.Press the Start/Stop button.The metronome clicks to lead you into the recording, so you

Chapter 12 Free EG6249 Changing the Length of your Free EG tracksThe flexible little Length feature works both ways — both in recording and playback.

63Chapter 13Pattern Power TipsIt’s time to put your AN200 know-how and experience to work — and delve into these Pattern Power Tips.The first couple of

Chapter 13 Pattern Power Tips6451 Shake, Retrigger, and Roll!In Tip 50, you saw how to use the Top function to play your own stutter hits. Here’s a

65Chapter 13 Pattern Power Tips52 Selecting a Voice (Copy Voice)One important step you can take in creating a Pattern is to select the Voice you’ll b

Chapter 13 Pattern Power Tips6654 Transposing the pitch of a PatternTry this cool editing tool on your tracks. The Transpose Pattern function lets y

67Chapter 13 Pattern Power Tips55 Copying a Pattern (Sequence)Earlier in this section, in Tip 52, you learned how to copy a Voice from one Pattern to

68Chapter 14Pattern RecordingBy this point, you’ve built up a lot of experience twisting and tweaking the Voices, and playing around with the Patterns

69Chapter 14 Pattern Recording57 Setting the Metronome lead-inWhen you record your parts in real time, you’ll need a rhythmic guide — a metronome cli

Contents7Chapter 14Pattern Recording ...68Tip 56 Erasing a Pattern — and starting from scratch.. 68Tip 57 Setting the Metronome lead-i

Chapter 14 Pattern Recording7058 Recording a Pattern in real timeUp until this point, you’ve been working with the preset Patterns of the AN200. Now

71Chapter 14 Pattern Recording7 Start recording.Now, let’s get down to business. Press the Start/Stop button. While listening to the metronome, pla

Chapter 14 Pattern Recording7259 Step RecordingIn Tip 58, you learned how to record a Pattern in real time, by playing the notes on the keyboard as t

73Chapter 14 Pattern Recording Entering the Notes • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • In this secti

Chapter 14 Pattern Recording74Enter the notes for these Steps in the same way as you did with Steps 1 - 8 above, but use the setting guide below:Agai

75Chapter 14 Pattern Recording15 Set the knobs as shown.Set knobs [1] and [5] to around 2:00. (The display value should be around 90 - 100.)Set knob

Chapter 14 Pattern Recording76The AN200 is filled to the brim with an enormous variety of drum, percussion, and special effects sounds. Put these to

77Chapter 14 Pattern Recording Overdubbing the Hi-hat — Rhythm Track 2 • • • • • • • • • • • • • • • • • • • • • • • • • Now, let’s flesh out the rhy

Chapter 14 Pattern Recording78 Fine Tuning Your Tracks — Pitch, Gate Time, and Velocity • • • • • • • • • • • • • • Before you run off, remember tha

79Chapter 14 Pattern Recording60 Storing your new PatternNow that you’ve created a new Pattern, you’ll want to save it for future recall. The Store

How to Use This Manual8How to Use This ManualHow to USE a manual? Sounds a bit obvious, we admit. (“Open it and read it.”) But here goes:This tells

Chapter 14 Pattern Recording80 Store the Pattern • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Storing you

81Chapter 15Song RecordingYou’ve got a humongous selection of Patterns at your disposal. It’s time now to put them together and make some Songs.61 Er

Chapter 15 Song Recording8262 Creating a SongFinally, we come to the culminating feature of the AN200. This is the place where you bring together al

83Chapter 15 Song Recording6 Keep assigning Patterns in this way, repeating Steps 3 - 5 above, until you’ve created a new Song.In most cases, you’ll

Chapter 15 Song Recording8463 Setting the BPM (tempo) for your new SongIn addition to the Patterns, a variety of other settings can be programmed int

85Chapter 15 Song Recording64 More Song editing featuresIn Tips 62 and 63 above, you learned how to enter Pattern numbers and BPM values to the measu

Chapter 15 Song Recording86SwingThis lets you introduce a swing feel to the Pattern at the selected measure. (See Tip 27 for more infor-mation.)To s

87Chapter 15 Song Recording65 Adding Patterns to your Song — Insert PatternNaturally, you can add Patterns to your existing Songs — by using the Inse

Chapter 15 Song Recording8866Taking Patterns out of your Song — Delete PatternIf you’ve made a mistake in creating your Song, you can always clear it

89Chapter 15 Song Recording67 Storing your new SongNow that you’ve created and arranged a new Song, you’ll want to save it for future recall. The AN

Panel Controls9Panel ControlsHere’s a quick way to get familiar with your AN200! The front (or top) panel of the AN200 can be roughly divided into fo

90Chapter 16Speed Tips for Power Users Work smarter, not harder!In this section, we’ll show you some nifty ways to put your editing in high gear — so

91Chapter 16 Speed Tips for Power Users69 Using [SHIFT] to “hold” a settingEditing on the AN200 is quick and easy — you press a button or turn a knob

92Chapter 17Real World TipsThis chapter is a grab bag full of various practical tips that solidify your pro-gramming chops and put you on the way to t

93Chapter 17 Real World Tips73 Changing the pitch with the keyboardAs you saw in Tip 26, you can use the keyboard of the AN200 to change pitch and ev

Chapter 17 Real World Tips9474 Stutter fill-in 1Remember in Tip 50 how you hit the top of a Pattern? In this Tip, and the two that follow, let’s try

95Chapter 17 Real World Tips76 Stutter fill-in 3Select and play a Pattern. Then, hold down [SHIFT] and hit the [TOP] (Record) button in the following

96Chapter 18Master Class 1 — OnstageNow that you’ve got the hang of the instrument, it’s time to start strutting your AN200 chops onstage. There are

97Chapter 18 Master Class 1 — Onstage4 Start song or sequence playback on the other device.When you start and stop playback on the connected MIDI dev

Chapter 18 Master Class 1 — Onstage9881 Loopfactory setup — with the SU200As part of Yamaha’s new Loopfactory series, the AN200 is not just a great a

99Chapter 18 Master Class 1 — Onstage82 Loopfactory sync system — with the DX200In case you didn’t know, the AN200 has a sister synthesizer — almost