Yamaha Motif XS Bedienungsanleitung PDF herunterladen (Seite 19)

MUSIC PRODUCTION GUIDE

February 2011

Cubase also records audio data within the locator

positions. Since the audio le should be only one bar

in length, you can set the locator position accordingly

around the part and thus avoid the need of truncating

the audio data afterwards. Since the „remote control

parts“ are positioned outside the bar that‘s to be recor-

ded, you need a combination of playing and recording.

To do this, please set locators at the beginning and

end of the bar rst. A quick

method is to highlight the

corresponding part followed

by pressing the „p“ key on

your computer‘s keyboard. If

you now start the recording,

the parts of the „Arp-On“ wouldn‘t be played back,

since the recording would start at the left locator. So

please rewind the

song position to the

beginning of the „Arp

On“ parts and activa-

te the „Auto Punch In

and Out“ function in the transport window.

After having activated the audio track for recording,

start the playback (not the recording!). Cubase then

passes the necessary control parts and automatically

starts and stops the recording within the locator

positions. Now you have a perfectly truncated one-bar

audio le. Do the same for each of your generated

variants. Afterwards you are able to select all audio

parts at once, perhaps to normalize them.

For the les from an USB recording session manual

truncating is unavoidable, unfortunately. However,

the auto-start routine at the beginning of the recording

results in a proper starting position, that can be imme-

diately applied to a grid in a Cubase project.

With the audio parts you are now very exible in

arranging - beyond MIDI, Sync, and SysEx. Addi-

tionally there are audio options and effects that are

either difcult or impossible to implement with MIDI

events, such as scrubbing or reverse effects. One last

example on how an arrangement could look: The

audio les have been merely placed against each other,

the last one-bar audio part has been cut into eighths,

while every second eighth was reversed by the Rever-

se function.

The result can be downloaded as an mp3 le.

les.me.com/hp13/1ragq0.mp3

(Password: „arpw2“)

Conclusion

The Performance arpeggios of the MOTIF XS/XF and

the current S-series are - properly applied - a source

of inspiration, that does not dried up. In combination

with the already very large-sized ROM content as

well as optional soundsets I would dare to claim that

there are few musical styles and avors that could not

be served. In combination with a suitable DAW like

Cubase the instrument can be declared to be he head-

quarter of sound and groove of a studio, that covers

areas for which previously a huge equipment park has

been necessary. But the most important condition is

and was a good knowledge and an experienced work

with instruments.

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