Yamaha QY70 Bedienungshandbuch

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Inhaltsverzeichnis

Seite 2 - SPECIAL MESSAGE SECTION

T h e Q Y 7 0 — A n O v e r v i e w8Voices & EffectsThe QY70’s internal tone generator, compatible with XG and GMformat, provides 519 top-qual

Seite 3 - PRECAUTIONS

98P l a y b a c k C o n t r o lmethod to select the desired template. No groove template isselected when “- -” appears in the GROOVE TEMPLT parameter

Seite 4

998P l a y b a c k C o n t r o l● M/S (Mute/Solo)The Mute/Solo (“M/S”) parameters below each tracknumber in the Drum Table display can be used to mut

Seite 5 - Contents

100P l a y b a c k C o n t r o l● DRUM TABLEThis parameter specifies the drum instrument to beremapped for the selected track. 24 choices are availab

Seite 6

1019T h e S o n g J o b sT h e S o n g J o b sThe SONG mode includes 25 song “jobs” that perform avariety of important functions. To access and us

Seite 7 - Tone Generator Effects

102T h e S o n g J o b s Returning to the SONG ModeThe [EXIT] key can be used to exit from any song job, and then from the job list therebyreturnin

Seite 8 - Sequencer Functions

1039T h e S o n g J o b s00 : Undo/RedoThis job will “undo” any other song/pattern job, edit, or recordfunction if it is executed before any other o

Seite 9 - Accompaniment Sequencing

104T h e S o n g J o b s01 : QuantizeAligns notes in the specified track to or close to the nearest speci-fied beat.Quantize ValuesValue EffectAlign

Seite 10 - Voices & Effects

1059T h e S o n g J o b sThe “Strength” parameter determines how “strongly” the notesare attracted to the specified quantize value. The strength ran

Seite 11 - X Insert Batteries

106T h e S o n g J o b sThe “Gate Time” parameter increases or decreases the gate times(length) of all notes affected by the swing parameter. The ra

Seite 12 - C Replace Cover

1079T h e S o n g J o b s02 : Modify VelocityIncreases or decreases the velocity values of all notes in the speci-fied track and range of measures.T

Seite 13 - Using a Power Adaptor

92P o w e r & C o n n e c t i o n sUsing BatteriesSix 1.5V AA size (SUM-3 or R6P) or equivalent batteries must first beinstalled in the battery

Seite 14 - Setting Up

108T h e S o n g J o b sNew Velocity = Original Velocity x rate/100 + offset(If the right side of the equation is 0 or less, the New Velocitybecomes

Seite 15 - LINE OUT/PHONES Jack

1099T h e S o n g J o b s03 : Modify Gate TimeIncreases or decreases the gate times (length) of all notes in thespecified track and range of measure

Seite 16 - LINE OUT /

110T h e S o n g J o b sNew Gate Time = Original Gate Time x rate/100 + offset(If the right side of the equation is 0 or less, the New Gate Timebeco

Seite 17 - MIDI Connections

1119T h e S o n g J o b s04 : CrescendoProduces a gradual crescendo (increase in note velocity) or decre-scendo (decrease in note velocity) in the s

Seite 18

112T h e S o n g J o b sAfter setting the parameters as required press [ENTER] to executethe Crescendo job. The metronome icon will appear on the di

Seite 19 - “PC-2” Cable Connections

1139T h e S o n g J o b s05 : TransposeTransposes all notes in the specified part up or down by the speci-fied number of semitones.The “TR” paramete

Seite 20 - “PC-1” Cable Connections

114T h e S o n g J o b s06 : Shift ClockMoves all notes and events in the specified track and range ofmeasures forward or backward by the specified

Seite 21 - About the MIDI Driver

1159T h e S o n g J o b s NOTE• The Shift Clock job will not shift data beyond the specified measure range. Eventsnear the beginning and end of the

Seite 22

116T h e S o n g J o b s07 : Chord SortSorts all notes in the specified measure range which fall on thesame beat (i.e. chords) so that the notes are

Seite 23

1179T h e S o n g J o b s08 : Chord SeparateShifts each note in the specified measure range which falls on thesame beat (i.e. chords) forward in ord

Seite 24 - T h e C o n t r o l s

10P o w e r & C o n n e c t i o n sC Replace CoverReplace the compartment cover, making sure that it locksfirmly in place.When to Replace the Ba

Seite 25 - [SONG] Key

118T h e S o n g J o b s09 : Copy EventCopies all data from a specified range of measures from one track tothe specified measure in the specified de

Seite 26 - [SHIFT] Key

1199T h e S o n g J o b sThe “Transpose” parameter sets a transpose value for the copieddata in semitone increments from “-24” through “+00” to “+24

Seite 27 - [-1/NO] and [+1/YES] Keys

120T h e S o n g J o b s10 : Erase EventErases all note and event data from the specified measure or rangeof measures in the specified track. An era

Seite 28 - [MENU] and Function Keys

1219T h e S o n g J o b s11 : Extract EventAllows a specified type of event — note, program change, pitchbend, control change, channel aftertouch, p

Seite 29 - !0 [ENTER] Key

122T h e S o n g J o b sAfter setting the parameters as required press [ENTER] to executethe Extract Event job. The metronome icon will appear on th

Seite 30 - !2 Micro Keyboard

1239T h e S o n g J o b s12 : Create ContinuousThis job makes it possible to create continuous data of the specifiedtype in order to produce smooth

Seite 31 - !3 Octave Keys

124T h e S o n g J o b sThe “Curve” parameter sets the degree of positive or negative“curvature” that will be applied to the continuous data: “-16”

Seite 32 - !4 VOLUME Control

1259T h e S o n g J o b s13 : Thin Out“Thins out” specified types of data by removing every other event ofthe specified type. This is particularly u

Seite 33 - X Select a Demo Song

126T h e S o n g J o b s14 : Time StretchLenghtens or shortens the specified track by a specified percentagewithout affecting tempo or pitch.The “TR

Seite 34 - V Stop Playback

1279T h e S o n g J o b s15 : Create MeasureCreates a specified number of blank measures having the specifiedtime signature for all tracks. The crea

Seite 35

112P o w e r & C o n n e c t i o n s CAUTION!• Do not attempt to use an AC adaptor other than the specified unit or an appropriatereplacement p

Seite 36 - Song number (1 … 20)

128T h e S o n g J o b s16 : Delete MeasureDeletes the specified range of measures from all tracks simulta-neously.The “M” parameters above the grap

Seite 37 - X Select a Style Number

1299T h e S o n g J o b s17 : Copy TrackCopies all data from the specified track to any other specified track.The upper “TR” parameter selects the s

Seite 38 - Currently selected section

130T h e S o n g J o b s18 : Mix TrackCombines the data contained in two specified tracks and places theresult in a third track (which can be the sa

Seite 39

1319T h e S o n g J o b s19 : Clear TrackCompletely clears the specifed track from the currently selectedsong (including all Play Effect parameters)

Seite 40 - N Stop Playback When Done

132T h e S o n g J o b s20 : Expand Backing“Expands” the accompaniment track data — i.e. the pattern andchord data — and places the results in the n

Seite 41 - Z Play a Pattern

1339T h e S o n g J o b s21 : NormalizeActually applies the Play Effect settings to the sequence data,modifying the sequence data accordingly. The P

Seite 42 - C Enter a Chord

134T h e S o n g J o b s22 : Copy SongCopies all data from all tracks of the specified song to any otherspecified song (including song name, play ef

Seite 43 - The Chord Types

1359T h e S o n g J o b s23 : Clear SongCompletely clears all data from all tracks of the currently selectedsong. Also initializes the play effect a

Seite 44 - B Stop Playback When Done

136T h e S o n g J o b s24 : Song NameAllows an original name of up to 8 characters to be assigned to thecurrent song.To enter a character, use the

Seite 45 - Fingered Chord Function

13710C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sC r e a t i n g O r i g i n a lA c c o m p a n i m e n t P a t t e

Seite 46

12P o w e r & C o n n e c t i o n sSetting UpWhat you will connect the QY70 to, and what you will connect to theQY70, will depend entirely on yo

Seite 47 - “Pt” track

138C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sCategoryDa Drum-a (Pop&Rock)Db Drum-b (Specific)Fa Drum Fill-a (Pop

Seite 48 - N Record

13910C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sCombining Phrases In the Pattern ModeThe phrases are combined to crea

Seite 49 - M Stop Recording

140C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sV Enter the Required Phrase NumberUse the cursor keys to move to the ca

Seite 50 - > Record

14110C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sCategoryBeatNumberPhrase NameMonitoring the PatternIf you press the [

Seite 51 - [ Listen To the Results

142C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sThe letter “M” appears next to tracks that are muted, andthe letter “S”

Seite 52 - Recording Tempo Changes

14310C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sYou can also enter the chord by pressing the chord as it ison the mic

Seite 53 - Z Select a Song to Record

144C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sRecording Original PhrasesThe QY70 makes it easy to create original acc

Seite 54 - B Start Recording

14510C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sSource chordC Select a Pattern Track and its “User” PhraseMove the cu

Seite 55

146C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sV Engage the Phrase Record Ready ModePress the [S] key to engage the ph

Seite 56

14710C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sTrack Default Type Default VoiceD1 (Drum 1) Bypass Dr 001: Standard K

Seite 57 - ● Style Number and Section

132P o w e r & C o n n e c t i o n sw MIDI IN & OUT ConnectorsIf you plan to use a MIDI keyboard or other instrument toplay and program the

Seite 58 - ● Erasing Pattern Changes

148C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sM Set the Pattern Length, Time Signature & Tempo asRequiredIf you’r

Seite 59 - ● Chords

14910C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n s> Delete Mistakes as RequiredTo delete mistakes, simply play the n

Seite 60 - Example: Bm7 with E bass

150C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sStep Phrase RecordingThe step phrase record mode lets you enter phrases

Seite 61 - ● Syncopated Chords

15110C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sFor details on each parameter of the VOICE mixer display, see “TheSon

Seite 62 - ● Sound On/Off

152C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sThe Effect Send DisplayThe QY70 features a high-performance internal di

Seite 63

15310C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sThe Effect Send display looks almost the same as that of the SONGVOIC

Seite 64 - ● Mute/Solo

154C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sVoice EditingThe QY70’s VOICE EDIT mode allows you to modify the sound

Seite 65 - ● The Voices

15510C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n sPlay EffectsThe QY70’s “Play Effects” can also affect pattern playbac

Seite 66 - ● The Volume Faders

156C r e a t i n g O r i g i n a l A c c o m p a n i m e n t P a t t e r n s“Groove” and “Drum Table” displays are exactly the same as thosein the

Seite 67

157T h e P a t t e r n J o b s11T h e P a t t e r n J o b sThe PATTERN mode includes 24 pattern “jobs” that perform avariety of important function

Seite 68

14P o w e r & C o n n e c t i o n sAudio ConnectionsThe simplest way to monitor the QY70 sound is via a pair of stereoheadphones (miniature ster

Seite 69 - Effect send display

158T h e P a t t e r n J o b s Returning to the PATTERN ModeThe [EXIT] key can be used to exit from any pattern job, and then from the job listther

Seite 70

159T h e P a t t e r n J o b s1100 : Undo/RedoThis job will “undo” any other pattern/song job, edit, or recordfunction if it is executed before any

Seite 71 - CUT RES A D R

160T h e P a t t e r n J o b s01 : QuantizeAligns notes in the specified track to or close to the nearest speci-fied beat.Quantize ValuesValue Effec

Seite 72 - ● Filter Controls

161T h e P a t t e r n J o b s11The “Strength” parameter determines how “strongly” the notesare attracted to the specified quantize value. The stren

Seite 73

162T h e P a t t e r n J o b sThe “Gate Time” parameter increases or decreases the gate times(length) of all notes affected by the swing parameter.

Seite 74 - Drum Edit

163T h e P a t t e r n J o b s1102 : Modify VelocityIncreases or decreases the velocity values of all notes in the speci-fied track and range of mea

Seite 75

164T h e P a t t e r n J o b sNew Velocity = Original Velocity x rate/100 + offset(If the right side of the equation is 0 or less, the New Velocityb

Seite 76

165T h e P a t t e r n J o b s1103 : Modify Gate TimeIncreases or decreases the gate times (length) of all notes in thespecified track and range of

Seite 77 - A C o m p l e t e S o n g

166T h e P a t t e r n J o b sNew Gate Time = Original Gate Time x rate/100 + offset(If the right side of the equation is 0 or less, the New Gate Ti

Seite 78 - X Select a Track to Record

167T h e P a t t e r n J o b s1104 : CrescendoProduces a gradual crescendo (increase in note velocity) or decre-scendo (decrease in note velocity) i

Seite 79

152P o w e r & C o n n e c t i o n sMIDI ConnectionsAlthough the QY70 can be played and programmed from the built-inmicro-keyboard, an external

Seite 80

168T h e P a t t e r n J o b sAfter setting the parameters as required press [ENTER] to executethe Crescendo job. The metronome icon will appear on

Seite 81

169T h e P a t t e r n J o b s1105 : TransposeTransposes all notes in the specified part up or down by the speci-fied number of semitones.The “TR” p

Seite 82 - About the “MULTI” Recording

170T h e P a t t e r n J o b s06 : Shift ClockMoves all notes and events in the specified track and range ofmeasures forward or backward by the spec

Seite 83

171T h e P a t t e r n J o b s11 NOTE• The Shift Clock job will not shift data beyond the specified measure range.Therefore, events near the beginn

Seite 84

172T h e P a t t e r n J o b s07 : Chord SortSorts all notes in the specified measure range which fall on thesame beat (i.e. chords) so that the not

Seite 85 - B Engage the Record Mode

173T h e P a t t e r n J o b s1108 : Chord SeparateShifts each note in the specified measure range which falls on thesame beat (i.e. chords) forward

Seite 86 - M Enter a Note

174T h e P a t t e r n J o b s09 : Copy EventCopies all data from a specified range of measures to the selectedplace in the same track. The copied d

Seite 87

175T h e P a t t e r n J o b s11The “Transpose” parameter sets a transpose value for the copieddata in semitone increments from “-24” through “+00”

Seite 88

176T h e P a t t e r n J o b s10 : Erase EventErases all note and event data from the specified measure or rangeof measures in the specified track.

Seite 89 - < Complete the Song

177T h e P a t t e r n J o b s1111 : Extract EventAllows a specified type of event — note, program change, pitchbend, control change, channel aftert

Seite 90

16P o w e r & C o n n e c t i o n sConnecting to a Personal ComputerAlthough the QY70 can be connected to a personal computer via theMIDI IN/OUT

Seite 91 - ● Playing the Selected Song

178T h e P a t t e r n J o b sNOTE Note events.PC Program change events.PB Pitch bend events.CC Control change events. When this event type is selec

Seite 92 - ● Jump Functions

179T h e P a t t e r n J o b s1112 : Create ContinuousThis job makes it possible to create continuous data of the specifiedtype in order to produce

Seite 93 - ● Track Selection

180T h e P a t t e r n J o b sThe “Curve” parameter sets the degree of positive or negative“curvature” that will be applied to the continuous data:

Seite 94 - ● The Velocity Meters

181T h e P a t t e r n J o b s1113 : Thin Out“Thins out” specified types of data by removing every other event ofthe specified type. This is particu

Seite 95 - ● Fingered Chord

182T h e P a t t e r n J o b s14 : Time StretchLenghtens or shortens the specified track by a specified percentagewithout affecting tempo or pitch.F

Seite 96

183T h e P a t t e r n J o b s1115 : Copy PhraseCopies the specified preset phrase to a specified PATTERN modetrack as a user phrase.The “Phrase” pa

Seite 97

184T h e P a t t e r n J o b s16 : Get PhraseCopies the data from the specified range of measures in the speci-fied track of a specified song to the

Seite 98 - Groove Quantization

185T h e P a t t e r n J o b s1117: Put PhraseCopies the phrase data from a specified pattern track to the speci-fied measures in the specified trac

Seite 99 - ● GROOVE TEMPLT

186T h e P a t t e r n J o b s18 : Copy TrackCopies all data from the specified track in the specified section ofthe specified style to any other sp

Seite 100 - ● TIMING

187T h e P a t t e r n J o b s1119 : Mix TrackCombines the data contained in two specified tracks and places theresult in a third track (which can b

Seite 101 - ● FX THRU

172P o w e r & C o n n e c t i o n s● Connecting to an Apple Macintosh Series ComputerConnect the TO HOST connector of the QY70 to themodem or p

Seite 102 - ● DRUM TABLE

188T h e P a t t e r n J o b s20 : Clear TrackCompletely clears the specifed track in the specified section.The “Section” parameter specifies the se

Seite 103 - T h e S o n g J o b s

189T h e P a t t e r n J o b s1121 : Copy PatternCopies all data from the specified section of the specified style toany other specified section of

Seite 104 - Returning to the SONG Mode

190T h e P a t t e r n J o b s22 : Clear PatternCompletely clears all data from the specified section of the specifiedstyle.The “Style” parameter sp

Seite 105 - 00 : Undo/Redo

191T h e P a t t e r n J o b s1123 : Style NameAllows an original name of up to 8 characters to be assigned to thecurrent style.To enter a character

Seite 106 - 01 : Quantize

192E d i t i n g S o n g s & P a t t e r n sE d i t i n g S o n g s& P a t t e r n sThe QY70’s editing capability makes it easy to correc

Seite 107

193E d i t i n g S o n g s & P a t t e r n s12The edit display will look something like this (of course, the notedata will be different).Song E

Seite 108

194E d i t i n g S o n g s & P a t t e r n sThe pattern edit display is almost exactly the same. The only differ-ences are the name of the trac

Seite 109 - 127 96 48 127 127

195E d i t i n g S o n g s & P a t t e r n s12Moving AroundThe location, pitch, gate time, and velocity values for each note areshown on a sing

Seite 110 - 116 84 52 127 116

196E d i t i n g S o n g s & P a t t e r n sChange Mode EditingThe “Change” edit mode is initially selected when the edit mode isengaged. To ed

Seite 111 - 48 48 48 72 72

197E d i t i n g S o n g s & P a t t e r n s12VelocityThis parameter controls the velocity (loudness) of the note. Therange is from 001 to 127.

Seite 112 - 52 52 52 68 68

SPECIAL MESSAGE SECTIONThis product utilizes batteries or an external powersupply (adapter). DO NOT connect this product toany power supply or adapter

Seite 113 - 04 : Crescendo

18P o w e r & C o n n e c t i o n s● Connecting to an NEC PC-9801/9821 Series ComputerThe NEC PC-9801/9821 computers are widely used inJapan. Co

Seite 114

198E d i t i n g S o n g s & P a t t e r n sC Select an Event Type to Insert, and Set the Event Pa-rametersIf the display corresponding to the

Seite 115 - 05 : Transpose

199E d i t i n g S o n g s & P a t t e r n s12PB (Pitch Bend)Pitch bend events can be used to produce pitch bendeffects. The pitch bend values

Seite 116 - 06 : Shift Clock

200E d i t i n g S o n g s & P a t t e r n sbank selection when selecting XG voices. Refer to the XGNormal/Drum voice list in the List Book for

Seite 117

201E d i t i n g S o n g s & P a t t e r n s12CAT (Channel Aftertouch)Inserts a channel aftertouch message with the specifiedaftertouch value.L

Seite 118 - 07 : Chord Sort

202E d i t i n g S o n g s & P a t t e r n sRPNInserts RPN data. RPN is an abbreviation for “RegisteredParameter Number”, which is a MIDI messa

Seite 119 - 08 : Chord Separate

203E d i t i n g S o n g s & P a t t e r n s12Exc (Exclusive)Inserts a System Exclusive message in hexadecimalformat. Refer to the “MIDI Data F

Seite 120 - 09 : Copy Event

204E d i t i n g S o n g s & P a t t e r n sXG NRPNInserts NRPN (Non Registered Parameter Number) datausing an XG parameter name (“NRPN”, above

Seite 121 - Destination beat

205E d i t i n g S o n g s & P a t t e r n s12XG Exc SystemInserts a System Exclusive (XG System) message using anXG parameter name (“Exc”, abo

Seite 122 - 10 : Erase Event

206E d i t i n g S o n g s & P a t t e r n sXG Exc MultiInserts a System Exclusive (XG Multi part) message usingan XG parameter name (“Exc”, ab

Seite 123 - 11 : Extract Event

207E d i t i n g S o n g s & P a t t e r n s12V Enter the Specified EventPress the [ENTER] key to enter the event as specified.B Return to the

Seite 124

192P o w e r & C o n n e c t i o n sAbout the MIDI DriverIf you use Windows95 or Windows3.1 in your computer, the appro-priate “MIDI driver” nee

Seite 125 - 12 : Create Continuous

208E d i t i n g S o n g s & P a t t e r n sXG ViewThe XG View function displays XG-related events (RPN, NRPN,System Exclusive, etc.) using the

Seite 126

209E d i t i n g S o n g s & P a t t e r n s12View FilterThe View Filter lets you “filter out” specified types of events so thatthey don’t appe

Seite 127 - 13 : Thin Out

210E d i t i n g S o n g s & P a t t e r n sPhrase Table (Pattern Edit Only)Phrase Table lets you edit phrase settings for the pattern trackcur

Seite 128 - 14 : Time Stretch

211E d i t i n g S o n g s & P a t t e r n s12SOURCE CHORDSets the source chord for the phrase (i.e. the chord on which thephrase is based). No

Seite 129 - 15 : Create Measure

212E f f e c t s & E f f e c t E d i t i n gSong Mode Effect Connection DisplayReverb effectChorus effectChorus-to-Reverbsend controlVariation

Seite 130 - 16 : Delete Measure

21313E f f e c t s & E f f e c t E d i t i n gPattern Mode Effect Connection DisplayVariation effectVariation-to-Reverbsend controlVariation-to

Seite 131 - 17 : Copy Track

214E f f e c t s & E f f e c t E d i t i n gX Set the Effect Parameters As RequiredMove the cursor to the desired parameter and use the [-1]and

Seite 132 - 18 : Mix Track

21513E f f e c t s & E f f e c t E d i t i n gVARIATIONREVERBLINE OUT/PHONESCHORUSTO REVTrack 1Track 2Track 3Track 16REVERBLINE OUT/PHONESTO RE

Seite 133 - 19 : Clear Track

216E f f e c t s & E f f e c t E d i t i n gSong Mode EffectConnection DisplayPattern Mode EffectConnection DisplayEffect EditingThe Reverb Edi

Seite 134 - 20 : Expand Backing

21713E f f e c t s & E f f e c t E d i t i n gReverb Edit Display Chorus Edit Display Variation Edit DisplayHow the Variation Effect works in t

Seite 135 - 21 : Normalize

20P o w e r & C o n n e c t i o n s< In the “Select Device” screen you will see “Yamaha CBXDriver for Windows95”. Click “OK”.> Click “Fini

Seite 136 - 22 : Copy Song

U t i l i t y F u n c t i o n s218U t i l i t y F u n c t i o n sThe QY70 utility mode includes a number of functions thatare important for general

Seite 137 - 23 : Clear Song

21914U t i l i t y F u n c t i o n sOnce the utility mode has been selected, any of the four utilitydisplays can be called by pressing the [MENU] key

Seite 138 - 24 : Song Name

U t i l i t y F u n c t i o n s220System ParametersThe “System” display includes 5 parameters that affect the basicoperation of the QY70. Move the cu

Seite 139 - The Preset Phrases

22114U t i l i t y F u n c t i o n sREC COUNTSettings: OFF, 1 Meas … 8 MeasThis parameter sets the number of count-in measure providedbefore realtime

Seite 140 - Category

U t i l i t y F u n c t i o n s222MIDI ParametersThe parameters in the “MIDI” display all relate to MIDI control.MIDI SYNCSettings: Internal, Externa

Seite 141 - Required

22314U t i l i t y F u n c t i o n sECHO BACKSettings: Off, Thru, RecMontrDetermines whether MIDI data received via the MIDI IN terminal issimultaneo

Seite 142 - C Select a Pattern Track

U t i l i t y F u n c t i o n s224PATT OUT CHSettings: Off, 1~8, 9~16This parameter specifies the MIDI channels on which QY70 patternplayback data wi

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22514U t i l i t y F u n c t i o n sBulk DumpAlthough the QY70 has memory for 20 songs and 64 user styles,you might want to save your song and patter

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U t i l i t y F u n c t i o n s226Move the cursor to the upper parameter and use the [-1] and [+1]keys to select “Song” if you want to save the data

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22714U t i l i t y F u n c t i o n sFingered ZoneThe QY70’s advanced ABC system can be controlled from the QY70micro-keyboard or an external keyboard

Seite 146 - X Select a Source Chord

212P o w e r & C o n n e c t i o n sClick “OK”.The “Add Unlisted or Updated Driver” dialog box willappear.M With the “Yamaha CBXT3 Serial Driver

Seite 147 - “User” phrase

U t i l i t y F u n c t i o n s228accompaniment chord will change accordingly during song, pattern play-back or chord-track recording. Chords played

Seite 148 - Record mode

A p p e n d i x15229A p p e n d i xSpecificationsSequencer blockData capacity approximately 32,000 notesNote resolution 480 clocks per quarter notePol

Seite 149 - The Phrase Types

A p p e n d i x230Controllers & displayMicro keyboard 25 keys (2 octaves)Octave keys [OCT DOWN], [OCT UP]Cursor keys up, down, left, rightSequence

Seite 150 - < Record

A p p e n d i x15231TroubleshootingIf you experience problems such as “no sound,” “incorrect sound,” or “sequencerdoes not operate,” please check the

Seite 151 - ? Stop Recording

A p p e n d i x232Is Style Number 129 (End Pattern) set in themiddle of the Pattern Track?Are Play Effect settings being used?Is the keyboard velocity

Seite 152 - Step Phrase Recording

A p p e n d i x15233Error Messages● MonitorNo Data When a job is executed, this will appear if the selectedtrack or area contains no data, making the

Seite 153 - Pattern Voice mode

A p p e n d i x234● MIDIMIDI Data Error This will appear when the received QY bulk data containsan error.Now Running This will appear when the QY70 is

Seite 154 - The Effect Send Display

A p p e n d i x15235GlossaryAAftertouch:MIDI messages which are transmitted whenadditional pressure is applied to the keyboardafter notes are played.A

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A p p e n d i x236Cutoff frequency:Filters work by allowing the portion of thesignal lower than a given frequency to pass,and cutting the portion of t

Seite 156 - Voice Editing

A p p e n d i x15237Fingered chord:A function that automatically detects chordsbased on the combination of notes that areplayed on the keyboard, and c

Seite 157 - Play Effects

22T h e C o n t r o l sT h e C o n t r o l sThe QY70 has fairly simple, consistent control interface that,once understood, makes operation fast and

Seite 158 - Drum Table display

A p p e n d i x238MMaximum Polyphony:The maximum number of notes that can beplayed at once. The QY70 can produce 32simultaneous notes (counted in 1-el

Seite 159 - T h e P a t t e r n J o b s

A p p e n d i x15239Patch:An assignment of phrases for each track tocreate patterns.Pattern:An auto accompaniment pattern consistingof drums, bass and

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A p p e n d i x240Replace:A method of real-time recording in whichpreviously recorded data is erased (replaced)as new material is recorded.Resonance:A

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A p p e n d i x15241Sync:See SynchronizationSystem (effect):An effect which can be applied to all parts(tracks) by adjusting the Send Levels andReturn

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A p p e n d i x242IndexAAC Adaptor... 1, 11, 12, 230Aftertouch ... 201, 235Alkaline Bat

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A p p e n d i x15243Exclusive ... 203, 241Expand Backing ... 132Expression .

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A p p e n d i x244PPan ... 64, 73, 238Pat ... 64PAT ...

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A p p e n d i x15245Effect Mode ... 212Job ... 101Mode ...

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Buttons & Display Symbols[U] ... 28[E] ...

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FCC INFORMATION (U.S.A.)1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!This product, when installed as indicated in the instructions contained in thisma

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233T h e C o n t r o l sq POWER SwitchSlide to the “ON” position to turn the QY70 on, or to the“OFF” position to turn it off.w LCD Display & CONT

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ADVARSEL!Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning må kun ske medbatteri af samme fabrikat og type. Levér det brugte batte

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For details of products, please contact your nearest Yamaha or theauthorized distributor listed below.Pour plus de détails sur les produits, veuillez-

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M.D.G., EMI Division Yamaha Corporation 1997 VZ24250 708POCP3.3-02B0 Printed in JapanC

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24T h e C o n t r o l sTRY THIS:Turn your QY70 on (thepower switch is on theleft side), then press the[SONG] key a few timesand watch how thedisplay

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253T h e C o n t r o l sy [EXIT] KeyNo matter where you are in the QY70 display hierarchy, the[EXIT] key will take to the next highest level (effecti

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26T h e C o n t r o l so [MENU] and Function KeysThe [MENU] key calls a menu of functions or sub-modesthat can be accessed from the current QY70 mode

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273T h e C o n t r o l sTRY THIS:Select the SONG mode display(use the [SONG] key, as describedabove), then press the [MENU]key. You should see the me

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1• Do not open the instrument or attempt to disassemblethe internal parts or modify them in any way. The in-strument contains no user-serviceable part

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28T h e C o n t r o l s!1 Sequencer KeysThe sequencer keys control recording and playback in theSONG and PATTERN modes, and allow you to locate a spe

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293T h e C o n t r o l sNow play the micro keyboard. You should hear the voicethat is currently assigned to sequencer track 1.In the SONG mode, the m

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30T h e C o n t r o l s!4 VOLUME ControlThe VOLUME control adjusts the volume of the sounddelivered via the LINE OUT/PHONES jack. Slide the controlto

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313T h e C o n t r o l sP l a y t h e D e m o S o n g sAfter you’ve set up and made all necessary connections, youmight like to play back the QY70

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32P l a y t h e D e m o S o n g sC Start PlaybackPress the sequencer [W] key to start playback. Use theVOLUME control to set the optimum listening

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335E a s y A c c o m p a n i m e n tE a s y A c c o m p a n i m e n tUsing the QY70 preset patterns you can easily create accom-paniments that you c

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34E a s y A c c o m p a n i m e n tThe SHIFT-Number Entry MethodNumeric values can be directly entered by using the blackmicro-keyboard keys (numbere

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355E a s y A c c o m p a n i m e n tIn cases in which a negative number needs to be entered(a TRANSPOSE value, for example) press the leftmostmicro-k

Seite 185 - 15 : Copy Phrase

36E a s y A c c o m p a n i m e n tV Listen to the Style’s Variation PatternsEach preset style has 6 variation patterns or “sections” —INTRO, MAIN A,

Seite 186 - 16 : Get Phrase

375E a s y A c c o m p a n i m e n tYou can change sections directly by pressing the appropri-ate key on the micro-keyboard while the cursor is locat

Seite 187 - 17: Put Phrase

2PRECAUTIONSPLEASE READ CAREFULLY BEFORE PROCEEDING* Please keep these precautions in a safe place for future reference. CAUTIONAlways follow the basi

Seite 188 - 18 : Copy Track

38E a s y A c c o m p a n i m e n tB Select Different Styles & Patterns (Sections)With the cursor positioned over the style number you canuse the

Seite 189 - 19 : Mix Track

395E a s y A c c o m p a n i m e n tZ Play a PatternSelect and play one of the preset patterns, as described inthe preceding section.X Move the Curso

Seite 190 - 20 : Clear Track

40E a s y A c c o m p a n i m e n tTo enter a chord, press the key corresponding to thedesired chord root, then the key corresponding to the desiredc

Seite 191 - 21 : Copy Pattern

415E a s y A c c o m p a n i m e n tThe chord is actually entered only when the [ENTER] key ispressed. Until the [ENTER] key is pressed, the newly sp

Seite 192 - 22 : Clear Pattern

42E a s y A c c o m p a n i m e n tV Try Out the Various Chords with Different PatternsDuring playback you can move the cursor up to the stylenumber,

Seite 193 - 23 : Style Name

435E a s y A c c o m p a n i m e n tPreset Chord TemplatesThe QY70 also features preset chord progression templates that canre-harmonize the accompan

Seite 194 - & P a t t e r n s

44E a s y A c c o m p a n i m e n tZ Select the SONG Mode & an Empty SongUse the [SONG] key to select the main SONG modedisplay and, with the cur

Seite 195 - Song Edit Display

455E a s y A c c o m p a n i m e n tC Engage the Record Ready ModePress the [S] key to engage the record ready mode. Thered LED above the [S] key wil

Seite 196 - Pattern Edit Display

46E a s y A c c o m p a n i m e n tB Select the Starting Pattern, Chord, & TempoMove the cursor to the style number, section, chord, andtempo par

Seite 197 - Moving Around

475E a s y A c c o m p a n i m e n tCount-inSince you selected “Pt” track recording, the cursor willautomatically move to the style number when you s

Seite 198 - Change Mode Editing

3Contents1: The QY70 — An Overview ... 5Sequencer Functions... 6Accompaniment Sequencing ... 7Voices & Effect

Seite 199 - Insert Mode Editing

48E a s y A c c o m p a n i m e n t“Cd” track> RecordPress the [W] key to begin recording chord changes. Themetronome will sound and you’ll be giv

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495E a s y A c c o m p a n i m e n t NOTE• Chord changes actually occur on quarter-note divisions, so try to pressthe [ENTER] key to enter each chor

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50E a s y A c c o m p a n i m e n tRecording Tempo ChangesIf you want your accompaniment to include tempo changes, theycan easily be added after the

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515E a s y A c c o m p a n i m e n tZ Select a Song to RecordSelect an empty song if you want to record a new song inthe step record mode, or select

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52E a s y A c c o m p a n i m e n tV Select the Step Record ModeMove the cursor to the record mode selector area of thedisplay (the area with the “RE

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535E a s y A c c o m p a n i m e n tN Enter the Required Pattern and/or Chord DataRefer to the following sections for details on how to useeach of th

Seite 205 - Exc (Exclusive)

54E a s y A c c o m p a n i m e n t “Pt” — Step Record Pattern ChangesHere’s how the STEP record pattern display will look if you’veselected an empt

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555E a s y A c c o m p a n i m e n t● Style Number and SectionAny preset style number from 001 through 128, the “endpattern” (number 129), or any use

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56E a s y A c c o m p a n i m e n t● Time SignatureAlthough the default time signature for the selected songis automatically selected, the time signa

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575E a s y A c c o m p a n i m e n t “Cd” — Step Record Chord ChangesHere’s how the STEP record chord display will look if you’ve se-lected an empty

Seite 209 - N Exit From the Edit Mode

T h e Q Y 7 0 — A n O v e r v i e w410: Creating Original AccompanimentPatterns ... 137The Preset Phrases ...

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58E a s y A c c o m p a n i m e n t● Specifying the Bass Note For a ChordYou can specify the bass note to be used with any chordby using the [OCT DOW

Seite 211 - View Filter

595E a s y A c c o m p a n i m e n t NOTE• You can add bass notes to existing chords without having to re-enterthe entire chord by simply moving the

Seite 212

60E a s y A c c o m p a n i m e n t NOTE• You can add syncopation to existing chords without having to re-enterthe entire chord by simply moving the

Seite 213

616T h e S o n g V o i c e M o d eT h e S o n g V o i c e M o d eThe QY70 has 519 voices and 20 drum kits that can be se-lected, played, and ass

Seite 214 - E f f e c t s

62T h e S o n g V o i c e M o d e● Mute/SoloThe Mute/Solo (“M/S”) parameters below each tracknumber in the VOICE mode mixer display can be used to

Seite 215 - (Variation effect: INSERTION)

636T h e S o n g V o i c e M o d e● The VoicesDue to the large number of voices provided in the QY70,they are organized into 21 categories, as foll

Seite 216

64T h e S o n g V o i c e M o d e NOTE• In any QY70 mode, the micro keyboard or an external MIDI keyboardplays the voice assigned to the currently

Seite 217

656T h e S o n g V o i c e M o d e NOTE• You can switch back and forth between the SONG and VOICE modeseven while a song is playing, so you can ad

Seite 218 - Effect Editing

66T h e S o n g V o i c e M o d eThe Effect Send DisplayThe QY70 features a high-performance internal digital signal process-ing system which provi

Seite 219

676T h e S o n g V o i c e M o d eThe VARI. (variation effect) control appears either as a standardrotary control or a switch, depending on how the

Seite 220 - Accessing the Utility Mode

51T h e Q Y 7 0 — A n O v e r v i e wT h e Q Y 7 0 — A n O v e r v i e wThe QY70 is a sophisticated music production system with a16-track seq

Seite 221

68T h e S o n g V o i c e M o d eVoice EditingThe QY70 VOICE EDIT mode makes it possible to modify the soundof the voices assigned to each track to

Seite 222 - System Parameters

696T h e S o n g V o i c e M o d ePB (Pitch Bend Range)This control sets the maximum pitch bend control range.The range is from “-24” through “0” t

Seite 223

70T h e S o n g V o i c e M o d e● Filter ControlsThe filter controls affect the basic “timbre” of the sound.CUT (Cutoff Frequency)Sets the cutoff

Seite 224 - MIDI Parameters

716T h e S o n g V o i c e M o d e● EG (Envelope Generator) ControlsThe envelope generator controls affect the level “enve-lope” of the sound — i.e

Seite 225

72T h e S o n g V o i c e M o d eDrum EditWhen a Drum Set is selected (“Ds1” or “Ds2”) the “Drum VoiceEdit” mode can be selected via the SONG VOICE

Seite 226

736T h e S o n g V o i c e M o d ePICH (Pitch Coarse)Adjusts the pitch of the selected drum instrument from “-64” through “0” to “+63”. Negative va

Seite 227 - Bulk Dump

74T h e S o n g V o i c e M o d eCUT (Cutoff Frequency)Sets the cutoff frequency of the low-pass filter from “-64”through “0” to “+63”. Negative va

Seite 228

757C r e a t i n g A C o m p l e t e S o n gC r e a t i n gA C o m p l e t e S o n gIn chapter 5, “Easy Accompaniment”, we learned how torecord t

Seite 229 - Fingered Zone

76C r e a t i n g A C o m p l e t e S o n gRealtime Sequencer Track RecordingIn the realtime record mode you select the track you want to record(1

Seite 230 - “HIGH” note will not sound

777C r e a t i n g A C o m p l e t e S o n gC Engage the Record Ready ModePress the [S] key to engage the record ready mode. Thered LED above the [

Seite 231 - A p p e n d i x

T h e Q Y 7 0 — A n O v e r v i e w6Sequencer FunctionsThe QY70 sequencer has 16 “normal” sequencer tracks to whichyou can individually assign any

Seite 232

78C r e a t i n g A C o m p l e t e S o n gIf you want to add new material to a recorded track with-out erasing the existing material as you record

Seite 233 - Troubleshooting

797C r e a t i n g A C o m p l e t e S o n g NOTE• It’s sometimes easier to set a slow tempo for realtime recording, soyou have plenty of time to

Seite 234

80C r e a t i n g A C o m p l e t e S o n g< Record the Remaining TracksComplete the song by re-engaging the record mode,selecting the next trac

Seite 235 - ● System

817C r e a t i n g A C o m p l e t e S o n gZ Select the SONG Mode & the Song To Be RecordedUse the [SONG] key to select the main SONG modedisp

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82C r e a t i n g A C o m p l e t e S o n gV Select the Step Record ModeMove the cursor to the record mode selector area of thedisplay (the area wi

Seite 237 - Glossary

837C r e a t i n g A C o m p l e t e S o n gB Engage the Record ModePress the [W] key to engage the step record mode. Thestep record display shown

Seite 238

84C r e a t i n g A C o m p l e t e S o n gSTEP (Note length)32nd, 16th, 16th triplet, 8th, 8thtriplet, quarter, quarter triplet, half, whole.VELO

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857C r e a t i n g A C o m p l e t e S o n gThe Note DisplayThe note display shows up to four 1/4-notes worth of dataat once (that’s one measure in

Seite 240

86C r e a t i n g A C o m p l e t e S o n gThe Step Mode Function KeysThe four function keys immediately to the right of thedisplay provide acces t

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877C r e a t i n g A C o m p l e t e S o n g< Complete the SongRepeat steps N and M until the current track is complete,then press [A] to stop r

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71T h e Q Y 7 0 — A n O v e r v i e wAccompaniment SequencingThe QY70 features a unique accompaiment system that makes iteasy to create complete a

Seite 243

88P l a y b a c k C o n t r o lP l a y b a c k C o n t r o lThe normal SONG mode display includes all the parametersand controls you need for song p

Seite 244

898P l a y b a c k C o n t r o l● Selecting a SongThe QY70 can retain up to 20 different songs in memory atthe same time: song numbers 01 through 20

Seite 245

90P l a y b a c k C o n t r o l● Repeat PlaybackPress the [W] key while holding the [SHIFT] key to startrepeat playback of the selected song. The rep

Seite 246

918P l a y b a c k C o n t r o lThe jump modes can be selected by moving the cursor tothe jump mode symbol and selecting via the [-1] and [+1] keys,

Seite 247

92P l a y b a c k C o n t r o l● The Velocity MetersThe area below each sequencer track number is a 5-segment “velocity” meter that shows approximate

Seite 248 - Buttons & Display Symbols

938P l a y b a c k C o n t r o l● VelocityThis parameter sets the “velocity” (i.e. loudness) of themicro-keyboard. The velocity can be set in ten lev

Seite 249 - FCC INFORMATION (U.S.A.)

94P l a y b a c k C o n t r o lPlay EffectsThe QY70 “Play Effects” affect sequence playback in real time, andare not actually recorded with the seque

Seite 250

958P l a y b a c k C o n t r o lGroove Quantization displayDrum Table display

Seite 251

96P l a y b a c k C o n t r o lGroove QuantizationIf the Groove display shown below does not appear when “Play Fx”is selected, press the [MENU] key a

Seite 252

978P l a y b a c k C o n t r o l● M/S (Mute/Solo)The Mute/Solo (“M/S”) parameters below each tracknumber in the Groove display can be used to mute (t

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