Yamaha CP50 Bedienungsanleitung PDF herunterladen (Seite 4)

resonance,

key-off noise, and

hammer strike position. On

the CP5 and

CP50, three

knobs perform similar tasks.

By default, they control

param-

eters

for the first sound

in a layer, but

you

can

quickly reassign any knob

to any setting

for either layer.

Much iike a

piano technician will

voice and regulate an

instrument

to the

player's needs, these

parameters

let you

become

your own

piano

tech.

Initialiy, control over

this many options seemed

daunting to

me,

as I tend to be

a plug-and-play

kind of

guy. But the more I delved

in

to the settings,

the more use

I found for them.

For

example,

take the

CP5's

"Hammer"

parameter

for

acoustic

and electric

piano sounds.

I've had numerous vintage

Rhodes, Wurlies,

and acoustic

pianos over

the years.

Hammer hardness

is a huge

part

of

the signature

sound of

Both the eP'! and CP5

(e?tswn)

feature balanced XLR outs

aNonsside

the

usual

f

/4" $nes.

The

ePS,

thcugh, i* the only

member

of the

family

with a rnic input.

different eras' instruments, and

re-creating these on the fly was very

cool. The same goes for being able to shape

the tone and timbre of the

acoustic

pianos

in different live situations.

Every gig requires a differ-

ent tonal toolkit-here

you come armed and

ready. I

also employed

the

"StrkPos"

(strike

position) parameter quite often to alter the sound

of the

EPs' virtual

pickups.

Gtlrer Seernds:

CtF an€l CPSG

The

new CP line

diverges

when it comes to

non-piano

sounds.

While the

CPI does

just

two things-acoustic and electric

pianos-extremely well,

the CP5

and

CP50

devote more resources to

being all-around gig machines.

Entirely absent on the CPl

(given

its price tag, some

might say puzzlingly

PROS

coRs

KEYBOAR[}

PCTYPHONY

ACCI'STTC

PIAHOS

ETECTRIC

PIAT{OS

OTHERgO['!{DS

gPLlTS/L/AYERS

E]KTERI.IAL

MIDI

ZONES

WxDxH

WEIG}IT

LIST PRICE

APPROX.

SMEETPRICE

cpl

Stunningfy

realistic acoustic and

eleetrie

pianos.

Tonal shaping

to

a

rare degree.

DX7-type

piano

sounds

use actual FM

tone

generator.

Piano- and etrectric

piano-only

format is linriting

at this

price point.

Wooden

NW-Stage

keyboard

with synthetic

ivory. Weighted

and balanced.

1

28 notes

4

13

None.

2

4

54.5t'x16.5ttx6.8"

6O

lbs.

$b,sss

$E,ooo

ePsm

ep50

Has same

wooden

key action as

CP1, but

many more sounds. Most

splits and

layers in

CP

|ine. Mic

input. Best bang for buck of CP

line.

As on all CP

models,

control

panel

has a

learning curve.

Wooden NW-Stage keyboard

with synthetic

ivory. Weighted

and bafanced.

1 28 notes

2

I

305,

including Cfavs, organs,

guitars,

strings, brass,

synths, etc.

4

4

54.37"

x 16" x 6.9"

55.5 lbs.

$s,2se

$z,ooo

Many CP5

features at a fraction of

the cost.

Traditional

GH

weighted

action

is more familiar to

many

stage

piano

users.

Less sonic detail

than big

brothers

on

acoustic

and

electric

piano

sounds.

Plastic-surface

G H keyboard.

Weighted and

graded.

1 28 notes

1

E

216-similar

soundset

to

CP5.

2

4

54.37"

x 13.1" x 6.5"

46 lbs,

$2,1ee

$r,zoo

40

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