Yamaha MOTIF-RACK ES Bedienungshandbuch PDF herunterladen (Seite 96)

Multi Mode

MOTIF-RACK XS Owner’s Manual

Basic Structure

Reference

Voice

Multi Utility

The Controls &

Connectors

Setting Up

Listening to

the Sound

Connections

Using a Computer

Quick Guide

Appendix

3 Arp Select (Arpeggio Select)

Determines whether the item being edited will commonly affect all ﬁve Arpeggios assigned to each Voice (“Arp Edit”), or affect only the

selected Arpeggio (“Arp 1 – 5 Type”). The parameters other than the parameters listed below are same as the corresponding parameters in

the Arp Select display (page 66) in Voice Common Edit.

n The Arpeggio tempo can be set in the Arpeggio display (page 91) of Multi Common Edit.

Arp Edit (Arpeggio Edit)

Arp MIDI Out Sw

(Arpeggio MIDI Output Switch)

Determines whether Arpeggio playback data is output to the external devices as MIDI messages.

When this is set to on, the data is output.

Settings: off (not output), on (output)

Arp Transmit Ch

(Arpeggio Transmit Channel)

Determines the MIDI transmit channel for Arpeggio playback data. When this is set to “rcv ch

(receive channel),” Arpeggio playback data is output via the same MIDI channel (transmit) set in the

Receive Ch parameter (page 94) in the Voice display of Multi Part Edit.

Settings: 1 – 16, rcv ch (receive channel)

Voice with Arp

(Voice with Arpeggio)

Each Arpeggio type is assigned a speciﬁc Voice best suited to the type. This parameter determines

whether or not the appropriate Voice registered to each Arpeggio type is assigned to the edited

Part. When set to “on,” the appropriate Voice is assigned to the edited Part in place of the currently

assigned Voice. When set to “off,” the appropriate Voice is not assigned to the edited Part. The

currently assigned Voice is maintained.

Settings: off (not copied), on (copied)

Arp 1 – 5 Type (Arpeggio 1 – 5 Type)

When the Voice with Arp parameter set to “on” in the Arp Edit display of Multi Part Edit, changing the Main Category, Sub Category, and Type

parameters in this display result in displaying the resultant Bank, Number, Name of the Part Voice as popup window.

4 Filter

The settings made here will be applied as offsets to the Filter settings of each Element set for each Part Voice.

Cutoff Determines the common offset value of ﬁlter Cutoff Frequencies for all Elements set to each Part

Voice. This parameter can be changed directly via the Knob.

Settings: -64 – +0 – +63

Resonance This parameter’s function varies according to the selected Filter Type. If the selected ﬁlter is an LPF,

HPF, BPF (excluding the BPFw), or BEF, this parameter is used to set the Resonance. If the selected

ﬁlter is a BPFw, this parameter is used to adjust the frequency bandwidth. Resonance is used to set

the amount of Resonance (harmonic emphasis) applied to the signal at the cutoff frequency. This

can be used in combination with the cutoff frequency parameter to add further character to the

sound. The Width parameter is used to adjust the width of the band of signal frequencies passed by

the ﬁlter with the BPFw. The settings made here will be applied as offsets to the same parameters in

the Filter display (page 68) of Voice Common Edit. This parameter can be changed directly via the

Knob.

Settings: -64 – +0 – +63

5 EG

FEG Attack

FEG Decay

FEG Release

FEG Depth

AEG Attack

AEG Decay

AEG Sustain

AEG Release

Determines the basic EG settings, both volume and ﬁlter, for the selected Part. The parameter

values offset the same parameters of the assigned Element set in Voice Element Edit. For details

about AEG/FEG, refer to the EG display (page 68) in Voice Common Edit. However in the case of the

Drum Voices, only AEG Attack and AEG Decay are available. Each of the AEG parameters and FEG

Depth can be changed directly via the Knob.

Settings: -64 – +0 – +63

6 Part EQ

You can apply 3-band parametric EQ to each Part to adjust the sound. The parameter values here offset the same parameters of the

assigned Element set in Voice Element Edit. The EQ shapes for Low and High are ﬁxed as shelving types.

Freq Determines the center frequency. Frequencies around this point are attenuated/boosted by the Gain

setting below. Higher values produce higher frequencies. The Mid Freq parameter can be changed

directly via the Knob.

Settings:

Low........................ 50.1Hz – 2.00kHz

Mid ........................139.7Hz – 10.1kHz

High....................... 503.8Hz – 14.0kHz

Gain Determines the level gain for the Frequency (set above), or the amount the selected frequency band

is attenuated or boosted. This parameter can be changed directly via the Knob.

Settings: -12.00 dB – +0.00 dB – +12.00 dB

1 2 ... 91 92 93 94 95 96 97 98 99 100 101 ... 117 118

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