Yamaha CS2x Anleitung zur Fehlerbehebung PDF herunterladen (Seite 60)

By the way, this Sys-Ex message would have exactly the same effect on MIDI channels 5–16 in Performance mode.

The following examples will show how even parameters usually set at the machine are sometimes better

controlled via Sys-Ex.

EXAMPLE: Scene Mode

You cannot save the on/off state of Scene switches 1 & 2 in a Performance. It would be awkward however to have to

switch this manually during song playback. Let’s say you wish to cross-fade between Scene1 and Scene2 using the Mod

wheel (“Scene Control”). Instead of having to press both Scene keys at the beginning or somewhere in the middle of the

song, enter the following Sys-Ex message:

The byte 8 value indicates that both Scenes are to be switched on. A value of 00 would switch both scenes off, 01

switches on Scene 1 and 02 Scene 2.

EXAMPLE: Switching Arpeggio Type and selecting MIDI Sync

Do you find it stimulating to change Arpeggio Type during a song? This can be achieved by programming the Perfor-

mance to use Knob 4, but it is difficult to be precise in your selection with the Knob. Better to use the following Sys-Ex

message:

The message selects Arpeggio Type 1 (UpOct1). Responsible is byte 8 again with the value 00. A value of 01 would

select Arpeggio Type 2 (UpOct2), etc.

While we’re at it, we should also set the Arpeggio Tempo to MIDI via Sys-Ex, so that the Arpeggiator can be synchro-

nised to MIDI Clock pulses:

Layer / Part EQ

The Equaliser is a most potent sound sculpting tool for CS2x song productions.

This EQ is available to:

■

Each Performance Layer (1 - 4)

■

Each Performance Mode Multi Part (5 - 16)

■

Each XG Mode Multi Part

■

Each key of the XG Drumkits (Performance and XG Mode)

The EQ can’t be programmed on the machine, not even for Performance Layers. The programming must be

done on the sequencer via Sys-Ex.

The settings for the Layers is then stored in the Performance, whilst the Sys-Ex data used to make the Multi

Part settings must be contained in the song itself as Setup data.

(F0) 43 10 63

50 00 19 03

(F7) = hexadecimal

(240) 67 16 99

80 0 25 03

(247) = decimal

(F0) 43 10 63

60 00 31 00

(F7) = hexadecimal

(240) 67 16 99

96 0 49 0

(247) = decimal

(F0) 43 10 63

60 00 2F 00 00

(F7) = hexadecimal

(240) 67 16 99

96 0 47 0 0

(247) = decimal

1 2 ... 55 56 57 58 59 60 61 62 63 64 65 ... 76 77

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